On the fringe

Processed with VSCOcam with t1 presetIn keeping with my new year’s knitting resolutions, I worked resolutely on my gansey scarf, and boy am I glad this thing is finished. This beauty has been more than two years in the making, not because it was particularly difficult to knit (just purls and knits) but rather because of all the attention the pattern demands. (That, and the fact that I kept cheating on it with other projects…)

worsted140424cThis scarf (more of a wrap in this case) is my interpretation of a scarf found in Toshiyuki Shimada’s Ideas for Double-sided Knitted Scarves, a book that’s chock-full of wonderful projects, exuding that inimitable Japanese knitting aesthetics.
My version is knitted in Blue Sky Alpacas worsted hand dyes, a luxurious blend of royal alpaca and merino, which cost a small fortune, making it one of the most expensive handmade items I own. I remember seeing those skeins at my LYS (Lil Weasel), falling in love with them at first touch, and bringing them home with much anticipation (and guilt). Little did I know I would have to wait two whole years (and two days after that – just for adding the fringe!) before feeling the thing’s hefty drape around my neck and shoulders.
Processed with VSCOcam with t1 presetLooking back at the making of this wrap, I remember the endeavor of painstakingly writing out the pattern’s instructions from the chart, row after row after row (I could not read charts at the time). This contrasts with the ease with which I read the pattern’s last rows directly off the chart, and makes me realise how much we learn without even paying attention.

Now I can happily fold my garment, put in the drawer, and wait for colder times to come, when it might actually make sense to wear this.
Because that bugger sure is one big warm mass of wool.

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